代表作为《攻壳机动队》等系列神作的神山健治正式公开了他最新一部作品的题目——《Xi AVANT》，并在2月25日的电影《攻壳机动队 S.A.C SSS 3D》的试映会上进行发表，将会以动画短篇的形式公开。本作的题目“Xi”取自2010年12月24日开始正式运行，由著名手机公司docomo提供的次时代通信LTE服务的概念名。docomo以这次通信服务为契机，建立了一个以世界为目标的名为“Xi PROJECT”的企划案，并请来长期活跃与广告与艺术领域的艺术创作家秋山具义和世界瞩目的著名动画监督神山健治强强联手，为这个次时代企划的推进献一份力。

《XI ELEVEN》是国内首档同经纪公司女团竞技拼搏真人秀。节目采取舞台+真人秀形式，围绕成为女团的五个必备元素，11位练习生互相帮助，共同努力，展现女团独特魅力。不同以往90分钟甚至于200分钟超长快进N倍才能吐血观看完成的节目，浓缩传统综艺节目的精华内容，以最直接的方式快速展现女团练习生成长故事。

《XI ELEVEN》是国内首档同经纪公司女团竞技拼搏真人秀。节目采取舞台+真人秀形式，围绕成为女团的五个必备元素，11位练习生互相帮助，共同努力，展现女团独特魅力。不同以往90分钟甚至于200分钟超长快进N倍才能吐血观看完成的节目，浓缩传统综艺节目的精华内容，以最直接的方式快速展现女团练习生成长故事。

Tells the bizarre story of the prince and the Promise knife falling into Shuangqi Town.(Source: Chinese = Baidu || Translation = MyDramaList)

Several WWE and NXT stars will be in action as part of tonight’s Bloodsport XI show from Brooklyn, New York. Shayna Baszler will make her second appearance in the Bloodsport ring as she battles Miyu Yamashita. Baszler won her first outing in April by defeating Masha Slamovich. Both Julius and Brutus Creed will be in action for the first time in Bloodsport as Julius takes on Matt Makowski while Brutus battles former UFC fighters and former MLW Champion “Filthy” Tom Lawlor. NXT’s Charlie Dempsey will return for his second Bloodsport outing as he takes on Royce Isaacs. Other action includes Josh Barnett himself taking on Bad Dude Tito; Mike Santana vs. Homicide in a battle of mentor vs. mentee, the aforementioned Slamovich vs. Jody Threat in a clash of TNA talent; “Speedball” Mike Bailey vs. Akira; Timothy Thatcher vs. AEW/ROH’s Josh Woods; and Brian Johnson vs. Heddi Karaoui.

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DELUXE TWO-DISC EDITION 　　AVANT-GARDE 3 EXPERIMENTAL CINEMA 1922-1954 　　CAVALCANTI MAAS PETERSON BROUGHTON BUTE KESSLER WHITNEY KIRSANOFF MURPHY MARC'O WATSON HUFF 　　From THE Collection of THE GEORGE EASTMAN HOUSE AND FROM THE RAYMOND ROHAUER COLLECTION 　　From the little theaters of the 1920s to the ad hoc film societies of the '50s, avant-garde cinema knew no established form and held no predictable position. The boundaries of its history are still hotly debated, but its rough sensibilities informed and permeated the city symphonies of Alberto Cavalcanti, the visual music of Mary Ellen Bute and John Whitney, the classroom films of Sidney Peterson, the confessional film poems of Willard Maas and John E. Schmitz, the Lettrist cinema of Marc'O, and even marginal exploitation films and home movies. Drawn from the rich collections of Raymond Rohauer and the George Eastman House, Kino's third volume of experimental films continues to illuminate the degree to which cinema's evolution has been influenced by those filmmakers who occupy its periphery.